Fontella Bass – The 'New' Look
| A1 | Our Day Will Come | |
| A2 | How Glad I Am | |
| A3 | Oh No, Not My Baby | |
| A4 | Rescue Me | |
| A5 | Gee Whiz | |
| A6 | I'm A Woman | |
| B1 | Since I Fell For You | |
| B2 | Impossible | |
| B3 | You've Lost That Lovin' Feelin' | |
| B4 | Soul Of The Man | |
| B5 | Come And Get These Memories | |
| B6 | I Know |
not one-hit wonder ( Rescue Me )
Wonderful album,info musics in the album:
Arranged By [Arrangements] – Phil Wright,
http://jazzdiscography.com/Artists/Green/index.phpBunky Green Discography
Date: November 1965Location: Ter Mar Recording Studios, Chicago, ILLabel: ChessFontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con) a. 14329 I Know - 3:08 (Barbara George) b. 14330 I'm A Woman - 2:29 (Jerry Lieber, Mike Stoller) c. 14331 Gee Whiz - 2:28 (Carla Thomas) d. 14332 Our Day Will Come - 3:45 (Bob Hilliard, Mort Garson) All titles on: Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984) ________________________________________Date: November 1965Location: Ter Mar Recording Studios, Chicago, ILLabel: ChessFontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con) a. 14341 Come And Get These Memories - 2:18 (Brian Holland, Lamont Dozier, Edward Holland, Jr.) b. 14342 Since I Fell For You - 3:24 (Buddy Johnson) c. 14343 How Glad I Am - 2:41 (Larry Harrison, Jimmy Williams) d. 14344 You've Lost That Loving Feeling - 3:24 (Barry Mann, Cynthia Weil, Phil Spector) e. 14345 Oh No, Not My Baby - 2:39 (Carole King, Gerry Goffin) f. 14346 Impossible - 2:49 (B. F. Flip, Ollie Jones) All titles on: Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984)
Fontella Bass – Rescued - The Best Of Fontella Bass
1
–Fontella Bass
Rescue Me
Arranged By – Phil WrightBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyOrgan – Sonny ThompsonProducer – Billy Davis (2)Tenor Saxophone – Gene BargeWritten-By – Carl Smith (2)Written-By, Piano – Raynard Miner
2:54
2
–Fontella Bass
You'll Never Know
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain
3:06
3
–Fontella Bass Duet With Bobby McClure
Don't You Mess Up A Good Thing
Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrumpet – Arthur Hall, Paul SerranoTrumpet [Possibly] – David Hines (2)Vocals – Bobby McClureWritten-By, Tenor Saxophone – Oliver Sain
2:53
4
–Fontella Bass
The Soul Of A Man (A/K/A Soul Of The Man)
Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Arranged By, Piano – Oliver Sain
3:33
5
–Fontella Bass
Sweet Lovin' Daddy
Backing Vocals – The DellsProducer – Carl DavisWritten-By – John D. Jones, Jr.*
2:04
6
–Fontella Bass
Recovery
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Arthur Hoyle, Lester Bowie, Paul SerranoWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)
2:29
7
–Fontella Bass
Since I Fell For You
Alto Saxophone – Bunky GreenArranged By – Phil WrightBaritone Saxophone – Rubin CarterBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyKeyboards – Charles StepneyOrgan – Sonny ThompsonPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – John Board*Trombone – John AvantTrumpet – Lester Bowie, Oscar BrashearWritten-By – Woodrow Johnson*
3:26
8
–Fontella Bass Duet With Bobby McClure
You're Gonna Miss Me
Alto Saxophone – Bunky GreenArranged By – Phil WrightBaritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Trombone – John AvantTrumpet – Burgess Gardner, Willie StricklandVocals – Bobby McClureWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)
2:38
9
–Fontella Bass
I Surrender
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Lester Bowie, Paul SerranoWritten-By – Shena DeMell, Sugar Pie DeSantoWritten-By, Producer – Billy Davis (2)
2:58
10
–Fontella Bass
Free At Last
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain
2:33
11
–Fontella Bass Duet With Bobby McClure
Baby What You Want Me To Do
Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene Barge, Oliver SainTrumpet – Arthur Hall, Cleo Griffin, Paul SerranoTrumpet [Possibly] – David Hines (2)Vocals – Bobby McClureWritten-By – Jimmy Reed
3:12
12
–Fontella Bass
Joy Of Love
3:16
13
–Fontella Bass
I Can't Rest
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Lester Bowie, Paul SerranoWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)
2:54
14
–Fontella Bass
Oh, No, Not My Baby
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CarterBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyKeyboards – Charles StepneyOrgan – Sonny ThompsonPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – John Board*Trombone – John AvantTrumpet – Lester Bowie, Oscar BrashearWritten-By – Gerry Goffin-Carole King*
2:42
15
–Fontella Bass Duet With Bobby McClure
Don't Jump
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Trombone – John AvantTrumpet – Burgess Gardner, Willie StricklandVocals – Bobby McClureWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)
3:01
16
–Fontella Bass
Leave It In The Hands Of Love
Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Arthur Hoyle, Lester Bowie, Paul SerranoWritten-By – Shena DeMell, Sugar Pie DeSanto
3:02
Compañías, etc.
Copyright (c) – MCA Records, Inc.
Phonographic Copyright (p) – MCA Records, Inc.
Distributed By – BMG
Créditos
Compiled By, Coordinator – Andy McKaie
Liner Notes – David Nathan (2)
Vocals – Fontella Bass
Notas
Track 1 taken from Rescue Me / Soul Of The Man (Checker single 1120).
Track 2 taken from Safe And Sound (Checker single 1147).
Track 3 taken from Don't Mess Up A Good Thing (Checker single 1097.)
Track 4 taken from Rescue Me / Soul Of The Man (Checker single 1120).
Track 5 taken from Lucky In Love / Sweet Lovin' Daddy (Checker single 1183).
Track 6 taken from Recovery (Checker single 1131).
Track 7 taken from The 'New' Look (Checker LP 2997).
Track 8 taken from Don't Jump / You'll Miss Me (Checker single 1111).
Track 9 taken from I Can't Rest / I Surrender (Checker single 1137).
Track 10 is previously unreleased in the US.
Track 11 taken from Don't Mess Up A Good Thing (Checker single 1097).
Track 12 is previously unreleased. Writer/publisher/personnel unknown.
Track 13 taken from I Can't Rest / I Surrender (Checker single 1137).
Track 14 taken from The 'New' Look (Checker LP 2997).
Track 15 taken from Don't Jump / You'll Miss Me (Checker single 1111).
Track 16 taken from Recovery (Checker single 1131).
http://www.independent.co.uk/arts-entertainment/obituary-lester-bowie-1125271.html
Born in Maryland in 1941, Bowie grew up in St Louis at a time when musicians were still coming up from New Orleans. He played first in local rhythm- and-blues bands led by Little Milton and Albert King, both soon to become famous. He also worked with some of the young musicians in the city who, like him, were destined for fame. They included the saxophonists Roscoe Mitchell and Joseph Jarman and the drummer Jack DeJohnette. Bowie moved to Chicago in 1965, where he met Fontella Bass and became her musical director.
The same year, the pianist Muhal Richard Abrams formed the AACM as a jazz workshop and Bowie joined him. Their first recordings in 1967 show a group of unknown but very advanced musicians in completely spontaneous but expert and intoxicating improvisations. From this point on Bowie and his friends were no strangers to odd instrumentation. He played trumpet and flugelhorn but also anything exotic that seized his fancy, like bass drum or the mysterious cowhorn. Logs, bells, sirens, gongs, whistles and a zither also found their way into the armoury.
The band, finding no outlet at home, moved to France in 1968 and the following year recorded the LP A Jackson in Your House. Typically, the piece begins with a dignified and pompous overture which is punctured by the laughter of the band before it rocks into a Dixieland ensemble complete with clarinet and then into an approximation of the swing style. Although the music is unusually and intentionally funny, the direct social criticism of A Message to Our Folks done a couple of months later is much more serious. The two albums perhaps typified Bowie's weakness for slapstick and the way it occasionally diluted his more serious messages.
In 1969 ACM was founded with a completely new vision of jazz. On stage, the band imitated the street bands of South America, recited poetry and used a variety of unlikely sound effects as they played both avant-garde and more conventional jazz.
http://bluesway.gr/ow_userfiles/plugins/forum/attachment_29_55fb9b17ebd99_55fb9aefeb230_Encyclopedia-of-the-Blues-2006.pdf
Soul singer who achieved national fame recording for
Chicago’s Chess Records during the 1960s. She was
the daughter of notable gospel singer Martha Bass (a
member of the Clara Ward Singers and a soloist of
some note). In 1961, Fontella was discovered by St.
Louis bandleader Oliver Sain, who brought her into
his organization to play piano. Little Milton was the
band’s initial vocalist, and Bass participated on several
sides that Milton recorded for the local Bobbin label.
She subsequently recorded four sides under her own
name for Bobbin. In 1963, after Little Milton left the
Sain band, Bass and singer Bernard Mosley became
the featured vocalists. Mosley was soon replaced by
Bobby McClure. The following year Chess Records
signed Bass and McClure to record for its Checker
subsidiary in Chicago. They debuted as a duet act,
coming out with two hits, ‘‘Don’t Mess Up a Good
Thing’’ and ‘‘You’ll Miss Me (When I’m Gone)’’ in
1965. Bass launched her solo career in 1965 with a huge
hit, ‘‘Rescue Me.’’ The flip featured an outstanding
gospel-blues ballad, ‘‘The Soul of a Man.’’ Bass’s
career at Chess was gradually dissipated by a series
of undistinguished but three commercially successful
follow-ups, ‘‘Recovery,’’ ‘‘I Surrender,’’ and ‘‘Safe and
Sound.’’
Bass left Chess in 1967, and recorded for Jerry
Butler’s Fountain Productions, then moved to Stan
Lewis’s Paula label, recording under the production
aegis of her old bandleader, Oliver Sain, and then for
Epic. Bass never had another hit record. Occasionally
she appeared as a vocalist on jazz albums recorded by
her husband, Lester Bowie, trumpeter in the famed
Art Ensemble of Chicago.
Rhythm And Blues Encyclopedia
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