GOVERNOR'S STATE UNIVERSITY JAZZ BAND – GSU JAZZ LIVE! ( 1974 ).FAULOUS GROOVE JAZZ LIVE ALBUM.CURTIS PRINCE,JOHN PATE, JR.,STEELE SEALS,VINCENT CARTER,KENNETH BRASS,EUGENE VINEYARD,PAUL HOWARD (2)...

Governor's State University Jazz Band – GSU Jazz Live!

Sello:
Not On Label – LP-6656
Formato:
Vinilo, LP, Album
País:
US
Publicado:
1974
Género:
Jazz
Estilo:
Big Band, Jazz-Funk, Modal

Lista de TítulosOcultar créditos

A1 Keishaz
Written-By – Warrick Carter*
Written-By – Warrick Carter* 8:56
A2 Song For Suzanne
Written-By – Gerald Myrow
Written-By – Gerald Myrow 5:16
A3 Spanish Samba
Written-By – Curtis Prince
Written-By – Curtis Prince 13:17
B1 Spain
Written-By – Chick Corea
Written-By – Chick Corea 7:52
B2 Crabmeat
Written-By – John Pate*
Written-By – John Pate* 7:40
B3 Give It One
Written-By – Alan Downey (2)
Written-By – Alan Downey (2) 3:54
B4 Listen Here
Written By – Paul Smith
Written By – Paul Smith 7:22


Compañías, etc.

Grabado por – A-K Sound Recording
Prensado por – Wakefield Manufacturing – 25126

Créditos

Bass – Jeff Simon (7), Richard Farias
Cornet – Walter Henderson
Directed By – Warrick L. Carter
Drums – Curtis Prince, David Wilens
French Horn – June Jacobs, Susan Van Antwerp
Guitar – Ronald Askew
Piano – John Pate*
Saxophone – Eugene Vineyard, Henry Lollar, Kenneth Plikuhn, Steele Seales*, Vincent Carter
Trombone – Gary Van Antwerp, Gerald Myrow, William Howell (3)
Trumpet – Kenneth Brass, Melvin Williams (3), Paul Howard (2), Walter Henderson
Tuba – Joseph Schulte

THE KING PINS ( THE KELLY BROTHERS ) ‎– IT WON'T BE THIS WAY ALWAYS ( 1963 ).WONDERFUL SOUL ALBUM.

I only found it on youtube
 

please plus info of musicians and singers

The King Pins ‎– It Won't Be This Way Always

Sello:
King Records (3) ‎– 865
Formato:
Vinyl, LP, Album, Promo

País:
US
Publicado:
1963
Género:
Funk / Soul
Estilo:
Rhythm & Blues


Lista de Títulos

A1 It Won't Be This Way (Always)
A2 With The Other Guy
A3 (I Wanna Do) The Monkey One More Time
A4 Wonderful One
A5 Two Hearts
A6 Just Keep On Smiling
B1 The Hop Scotch
B2 I Got The Monkey
B3 Believe In Me (It's Gossip - It's A Rumor)
B4 Don't Wait Pretty Baby
B5 How Long Will It Last
B6 I Won't Have It

https://en.wikipedia.org/wiki/Kelly_Brothers




The Kelly Brothers were a 1960s Chicago gospel quartet, which also sang R&B as the King Pins. The group comprised brothers Curtis, Robert and Andrew Kelly with the fourth part sung by Charles Lee or Offe Reece.[1][2] The group gave King Records their only Chicago success in the soul idiom as the King Pins with "It Won't Be This Way (Always)," in 1963, which reached number twelve on Billboard's R&B chart.[3]

In 1966, the Kelly Brothers reached #39 on the Billboard R&B singles chart with "Falling in Love Again."
References[edit]

^ Alan Young Woke Me Up This Morning: Black Gospel Singers and the Gospel Life 1604737328 2012 "In the 1960s, brothers Curtis, Robert and Andrew Kelly, from Chicago, sang gospel as the Kelly Brothers, and R&B as the King Pins, producing one of the more singular examples of tailoring the song to the market. Their 1960 recording of “He's All Right” has the first verse: He's all right, Jesus is all right. He's been with ...
^ Robert M. Marovich A City Called Heaven: Chicago and the Birth of Gospel Music- 2015 0252097084 Both sides of the group's third single, “He's Alright” and “He's the Same today,” became radio hits.122 The discs showcased the group's churchy, vocally intense, guitar-driven approach, a style that was prevalent among gospel quartets during the early 1960s. The Kelly Brothers recorded another eight sides in February 1962, and Thompson was sufficiently confident of the quartet's sales potential to package most of their singles on an LP called The Kelly Brothers Sing a Page of Songs ..."
^ Robert Pruter Chicago Soul 1992-0252062590 Page 236 "The one Chicago success the company had in the soul idiom was the King Pins' "It Won't Be This Way (Always)," in 1963 (number twelve on Billboard's r&b chart).The King Pins were actually a long-time gospel group, the Kelly Brothers (Andrew, Curtis, and Robert Kelly, Charles Lee, and Offe Reece), and the song was essentially a "gospel number" thinly disguised with secular lyrics."

TOTO BISSAINTHE ‎– CHANTE HAÏTI ( 1977 ).ONE OF MY FAVORITE ALBUMS.AKONIO DOLO, BEB GUERIN, MINO CINÉLU, PATRICE CINÉLU, TOTO BISSAINTHE...

https://open.spotify.com/artist/0OQATyHsY2Zgr7NlvARJ7j


Toto Bissainthe – Chante Haïti

Sello:
Arion – ARN 33 380
Formato:
Vinilo, LP, Album
País:
France
Publicado:
Género:
Jazz, Latin, Folk, World, & Country
Estilo:


Lista de Títulos

A1 Soley Danmbalab
A2 Papaloko
A3 Ibo Ogoun
A4 Papa Danmbalah
B1 Lamize Pa Dous
B2 Dey
B3 Rasanbleman



Compañías, etc.

Copyright fonográfico ℗ – Arion
Impreso por – Glory, Asnières

Créditos

Bass – Beb Guérin*
Guitar – Patrice Cinélu
Percussion – Akonio Dolo, Mino Cinélu*
Vocals – Mariann Mathéus, Marie-Claude Benoit, Toto Bissainthe



https://en.wikipedia.org/wiki/Toto_Bissainthe

Toto Bissainthe (2, April 1934– 4, June 1994) was a Haitian actor and singer known for her innovative blend of traditional Vodou and rural themes and music with contemporary lyricism and arrangements.[1][2] Born in Cap-Haïtien in 1934, she left Haiti at an early age to pursue her acting studies abroad. Her career started in theatre with the company Les Griots, of which she was a founding member in 1956. Griots was at the vanguard of négritude-inspired cultural institutions in France, and was the first African theatre company in Paris.

The Griots was the troupe that gave the first performance of Jean Genet's play "The Blacks." She also worked with the playwright Samuel Beckett and the director Roger Blin and acted in several films.[3]

With a groundbreaking performance in 1973 at La vieille grille in Paris, Toto Bissainthe established herself as singer-songwriter-composer, stunning the audience with her soul-stirring renditions of original compositions that paid homage to the lives, struggles, miseries and spirituality of working class and rural Haitians.

The singer and actress Toto Bissainthe was recognized by many as a champion of Haitian music abroad.[4]

An artist in exile, Toto Bissainthe will be unable to return to the Haiti that so inspired her until the departure of Jean-Claude Duvalier in 1986. However, the multiple disappointments of the unending democratic transition and political infighting would forever embitter the outspoken artist, who had long dreamed of a return to help rebuild her motherland. Saddened by Haiti's social and political degradation, Toto Bissainthe's health would enter a downward spiral ending with her death from liver damage on June 4, 1994. The cause was cirrhosis, her family said.[3]


Contents
1Theatre
2Music
3Activism
4Personal Life and Death
5Discography
6Bibliography
7Filmography
8References
9External links
Theatre[edit]

Toto Bissainthe studied acting in France where she founded The Griots with Roger Blain. This was the first black theatre company in France.[5] Some of the plays titled in French included Papa bon Dieux, Les negres, Negres, negres, L’ombre de la ravine, and L’invite de Pierre, among others. She also had some roles in film, including Les tripes au soleil and En l’autre bord [5].

She began singing in 1962, after a return to Haiti. “Because in my family, we always loved singing and I missed it. I started a little bit by chance: in a hotel…and on that evening I remember that I sang a song”. She continued singing at that hotel once a week for three to four months in French and in Haitian Creole.[6]
Music[edit]

Among her albums are Ti Lorai Cale released in 1976, Toto à New York from 1975, Toto chante Haïti from 1977, Haïti Chanté- Chant du Monde published in 1977, and others. Toto was constantly praised in the media for her music. In a 1967 Haitian newspaper, a journalist wrote the following praising her album:


Toto Bissainthe will, at the very least, have the merit of having introduced through song to Haiti, a way that is only reserved to a minority. What will remain of this effort, the evanescent memories of an evening under the stars, a cry thrust in the desert? Do not blame her for lack of passion, but more surely our secular sleep. (Translated from French) [7]

In a document about Toto’s album Toto Bissainthe chante Haïti, it is stated, “Toto Bissainthe sings, and the memory of Haiti becomes the memory of the world, or the universal human. Vodou is then revealed, tapped in each one of us” (Translated from French).[8] Some lyrics include, “I cry for the mourning of Haiti/Haiti my dear, your children are dead/and the others are naked/Aytitoma, your blood is in the diaspora/The country is dying/Who will hold the mourning/Haiti has been blinded/Haiti stopped/Haiti was “zombified”/ Who will hold the mourning/Haiti, I call on you/I call on you as you call on me/That you call and reunite your blood/for the great Koumbite” Translated from French) [8]. These are the words for the song Lied Van. This particular album has songs composed with a tamtam, a type of gong[8].

Toto Bissainthe was very often lauded for being a singer representing the black diaspora. In a newspaper clip from the year 1980, there’s an article titled Toto Bissainthe: The Sortileges of the Black diaspora which states, “Her creation has for ambition to refer to a lost freedom that has yet to be found. For having personally lived in Haitian exile, she searches for a certain authenticity in her music” (Translated from French).[9]

In an interview she stated that she sings for the black people


Simply because we must. What I speak of is unity. With colonization and all of the cultural alienation that we were subjected to, we became very separated. I see it all over the Antilles. There’s very little people who see themselves as Antilleans. They consider themselves Martiniquais, Guadeloupean, Haitian, Trinidadian, Cuban, etc.[10]
Activism[edit]

Toto Bissainthe left her native land during a time of high tensions in Haiti. Francois Duvalier, known as Papa Doc, ran a military regime in Haiti from 1957 to 1971. His son Jean-Claude Duvalier, also known as “Baby Doc”, succeeded him from 1971 until he was overthrown by a popular uprising in 1986.

In 1980, the Jean-Claude Duvalier dictatorship forbade all media critiques; they began exiling journalists.[11]

In La Vie Ouvriére newspaper, she spoke about her frustration regarding this matter. The interviewer asks her how is it that she was able to sing in Haiti, when he thought that she couldn’t. “I can return, but only for one show. I feel frustrated to not be able to give a popular show. So I will return. Right now, with everything that is being said about the regime, they have a bit more attention over their image. And that’s why I can return”, she stated. She then added “All of the people that I love, I would tell them what I want, against the government and all that, and [the government] wouldn’t find that worrisome because they know that the people don’t speak French…still that can still give some consciousness to some. But as soon as I would sing in creole, I would make more impact and they immediately banned me” (Translate from French) (Catala).[10]

She went on to give a concert less than 2 months before the fall of the Duvalier regime at the Rex Theatre. At this concert she told people her message of justice, hope, love, life and revolt. The concert concluded in a standing ovation. She returned to Haiti indefinitely after the regime had ended[11]

When she returned to Haiti, in what she called a “slow return”, “she pursued her creation with the support of her partner, the American journalist Michael Norton”. She also collaborated with Haitian artists and writers, Syto Cavé and Lyonel Trouillot.[10]
Personal Life and Death[edit]

Toto Bissainthe married American journalist Michael Norton; he died in 2008 at the age of 66 years.[12] Toto had two daughters, Milena and Souqhaina. Milena currently owns the copyright to Toto Bissainthe’s website.[5] She also had three grandchildren.[3]

Toto died at the age of 60 in 1994. Her family shared that the cause was cirrhosis.[3]
Discography[edit]
Toto à New York (Chango, 1975)
Toto chante Haïti (Arion, 1977, Prix de la chanson TF1 1978, reissued 1989)
Haïti Chanté - Chant du Monde (reissued, 1995)
Coda (reissued, 1996)
World Network Vol. 43: Haiti (with Ti Koka) (World Network, 1999)
Rétrospective (Créon Music, 2006)
Bibliography[edit]

"Toto (Marie-Clotilde) Bissainthe" pp 153–159 in Mémoire de femmes by Jasmine Claude-Narcisse, UNICEF Haïti, 1997
Filmography[edit]
Les tripes au soleil, 1959.
Le théâtre de la jeunesse: La case de l'oncle Tom, Le, 1963.
La Noire de..., 1966.
L'homme au contrat, television series, 1974.
En l'autre bord, 1978.
West Indies, 1979.
Toto Bissainthe de Sarah Maldoror (5mn - documentary), 1984.
Haitian Corner, 1988.
An Alé de Irène Lichtenstein (16mm - 70mn - documentary), 1990.
L'homme sur les quais, 1993.
References[edit]

^ "Toto Bissainthe". Retrieved 22 September 2014.
^ "Toto Bissainthe". Retrieved 22 September 2014.
^ Jump up to:a b c d "Toto Bissainthe, Actress and Singer, 60". The New York Times. 1994-06-09. ISSN 0362-4331. Retrieved 2015-10-26.
^ Weiss, Jason (1999-01-01). "French‐Caribbean music: An introduction". Review: Literature and Arts of the Americas. 32(58): 75–76. doi:10.1080/08905769908594586. ISSN 0890-5762.
^ Jump up to:a b c ":: Le site Officiel de Toto Bissainthe". totobissainthe.com. Retrieved 2015-12-21.
^ Chansons sans Frontières. Toto Bissainthe: Une main tendue à toutes les mains blessèes du monde. Date Unknown. Web. 18 December 2015.
^ Sandler, Roger. Le Nouvelliste. Le Nouvelliste. November 1967. Taken from totobissainthe.com
^ Jump up to:a b c Presse- Paroles et muique. Le site Officiel de Toto Bissainthe. Web. 18 December 2015. Taken from totobissainthe.com
^ Toto Bissainthe: les sortilèges de la diaspora noire. Liberation. 5 November 1980. (Source found here http://www.totobissainthe.com/critt7.pdf)
^ Jump up to:a b c Catala, J.C. Toto Bissainthe: Je chante l’histoire du people noir. La Vie Ouvriére. 29 October 1980. (Taken from http://www.totobissainthe.com/critt4_4.pdf)
^ Jump up to:a b Haïti-Spectacle: Le souvenir de Toto Bissainthe, interprète révoltée. AlterPresse en Haiti - Beaucoup plus que l'actualité!. Alterpress. 7 June 2015. Web. 15 December 2015
^ Décès de Michael Norton, ancien correspondant de AP. Metropole Haiti. 17 June 2008. Web. 19 December 2015.

ERIK HELLER‎– LOOK WHERE I AM ( 1967 ) ARRANGER ED BLAND.ONE OF THE BEST FOLK-JAZZ ALBUMS

Erik (3) – Look Where I Am

https://open.spotify.com/album/718NlvKXcXYEzHJ3deAoUj

https://www.youtube.com/watch?v=hqB4ad8d4gM&list=OLAK5uy_mOx2s8ByV2gJciw9YsmsJwtms52SMObIw

Sello:
Vanguard – VRS-9267
Formato:
Vinilo, LP, Mono
País:
US
Publicado:
1967
Género:
Rock
Estilo:
Acid Rock, Psychedelic Rock

Lista de Títulos

A1 Look Where I Am 3:48
A2 Painted On The Wall 2:41
A3 Dead Afternoon Song 3:16
A4 Be Off Man 2:07
A5 Why Come Another Day 3:09
A6 You Said / But I've Got My Way 5:46
B1 Lights Across The Field Bright Lights Across The Field Too 2:44
B2 Sweet Eyes Of 4:29
B3 Georgeann 3:43
B4 Untitled Number 2 4:45
B5 Triumphant Breaking Bottle 4:28



Grabado en – Vanguard Studios

Créditos

Arranged By – Edward Bland
Engineer [Recording] – Ed Friedner
Producer – Samuel Charters*
Vocals, Written-By – Erik Heller*

ALTERNATIVES TO CENSORSHIP ON YOUTUBE (VIDEO SITES)

 1:

https://ok.ru/video/

2:

https://ayl.tv/

3:

https://www.bitchute.com/

4:

https://bittube.video/

5:

https://d.tube/

6:

https://gab.com/

7:

https://gloria.tv/

8:

https://www.veoh.com/exception

9:

https://kzpost.info/

10:

https://lbry.tv/

11:

https://loveotv.com/

12:

https://odysee.com/

13:

https://story.rumble.com/

14:

https://superocho.org/

15:

https://m.twitch.tv/

16:

https://ugetube.com/

17:

https://vimeo.com/es/

18:

https://www.dailymotion.com/

THEATRE WEST – BOW TO THE PEOPLE ( 1976 ).ONE OF THE BEST SOUL & FUNK ALBUMS,WITH BEN WILSON ( IN THE CLASSIC :LON MOSHE & SOUTHERN FREEDOM ARKESTRA ‎– LOVE IS WHERE THE SPIRIT LIES .1976 & 1977 ) , DELBERT TAYLOR ( TWO IN THE CLASSIC :MALONE & BARNES AND SPONTANEOUS SIMPLICITY ‎) , SAM CARTER...Founder Clarence Young III had been a Vietnam Vet in the US Air Force and was part of a theatrical troupe entertaining soldiers in 15 countries. When he returned home in 1969, he started a theatre company in Dayton as an outlet for inner city youth to come together and express themselves. Young became widely respected as a playwright and 1971 was a breakthrough year as he received national accolades for his off-Broadway plays Perry’s Mission and The System, portraying black lives in America as life in a penitentiary. At its height, Theatre West involved around 27 members. “Everybody played everything and did everything,” recalls bassist Sigmond Dillard. “We all had to sing, dance and act all the time. If someone messed up, you came in. It was a tight unit and we were constantly helping each other out.”..

 https://black-fire.bandcamp.com/album/bow-to-the-people

Theatre West – Bow To The People

Sello:
Strut – STRUT252CD
Formato:
CD, Album
País:
Germany
Publicado:
2021
Género:
Jazz, Funk / Soul
Estilo:
Jazz-Funk

Lista de Títulos

1 Searching For Ourselves 3:42
2 Crossroads 7:22
3 Bow To The People 3:04
4 Black Love 5:57
5 One Little Chance 2:57
6 Big Brother 5:10
7 Children Of Tomorrow's Dreams 4:05
8 No More Junk 4:08
9 Della Get Down 4:58
10 I Am A Woman 5:10
11 I Really Like It 4:00
12 Puppet 6:14
13 Cool Out Your Mind 6:20
14 Man Of Many Means (Previously Unreleased) 5:01
15 I Don't Know Much About Love 3(Previously Unreleased) 2:50


Clarence Young III: Vocals, Piano
Sigmond Dillard: Electric Bass
Sam Carter: Drums
Delbert Taylor: Trumpet, Piano, Vocals
Herbert Nelson: Alto Saxophone
Ben Wilson: Vibraphone
Bruce Anthoney Davis, Carl Payne, Bobby Collins, Beneda Brown: Vocals

Strut presents one of the most in-demand and significant albums from the archives of Jimmy Gray’s Black Fire Records, ‘Bow To The People’ (1976) by theatre collective Theatre West, based out of Dayton, Ohio.

Founder Clarence Young III had been a Vietnam Vet in the US Air Force and was part of a theatrical troupe entertaining soldiers in 15 countries. When he returned home in 1969, he started a theatre company in Dayton as an outlet for inner city youth to come together and express themselves. Young became widely respected as a playwright and 1971 was a breakthrough year as he received national accolades for his off-Broadway plays Perry’s Mission and The System, portraying black lives in America as life in a penitentiary. At its height, Theatre West involved around 27 members. “Everybody played everything and did everything,” recalls bassist Sigmond Dillard. “We all had to sing, dance and act all the time. If someone messed up, you came in. It was a tight unit and we were constantly helping each other out.”

“There were so many talented and gifted people in our troupe,” continues Dillard. “Rita Brown went on to New York, starring in the film Disco Godfather during the late ‘70s. Bruce Davis went on to work regularly on Broadway in Chicago, All That Jazz and more. Our Musical Director was Delbert Taylor and he also played with Gil Scott Heron’s Midnight Band and with Slave afterwards in the early ‘80s. Vibes player Ben Wilson and I also played regularly with Gil.”

Recorded at Arrest studios in Washington in ’76, ‘Bow To The People’ brought together songs from several of Theatre West’s best known plays including Bow To The People, The System and Black Love and unflinchingly explored serious issues around drug addiction, mental health and cultural awareness. “The whole idea of Bow To The People was to honour our black forefathers,” explains Dillard. “It was important to do that for the kids that didn’t know.”

Shelved following the original recording, the Bow To The People album eventually surfaced on a limited CD on Black Fire in 1993. Now receiving its first full international release, the album features the previously unreleased tracks ‘Man Of Many Means’ and ‘I Don’t Knpw Much About Love’ and has been remastered from the original tapes by The Carvery.

plus info:

https://enbuscadelamusicaperdidayotros.blogspot.com/2021/02/theatre-west-theatre-west-1976-various.html

LALOMIE WASHBURN ‎– MY MUSIC IS HOT ( 1977 ).CONDUCTOR, ARRANGED BY:GENE PAGE.ONE OF THE GREAT CLASSICS OF FUNK-ROCK Ollie Mitchell,George Bohanon,Henry Davis,Oscar Brashear,Oren Waters,Ed Greene (2),Raymond Pounds,Lee Ritenour,Melvin "Wah Wah" Watson,Jack Ashford,Paulinho Da Costa...

Lalomie Washburn ‎– My Music Is Hot

Sello:
Parachute Records ‎– RRLP 9001
Formato:
Vinyl, LP, Album, Stereo, Pitman Press

País:
US
Publicado:
1977
Género:
Funk / Soul
Estilo:
Soul, Funk, Disco


Lista de TítulosOcultar Créditos

A1 Give Me Love With The Music
Written-By – F. Capek*, L. Washburn* 5:33
A2 Double Funkin'
Written-By – L. Washburn*, S. Pawlouski 4:57
A3 My Love Is Hot (Caliente)
Backing Band [Musically Performed By] – Pyramid (18)Written-By – F. Capek*, L. Washburn* 6:43
B1 Man Power (Can You Do It)
Written-By – F. Capek*, L. Washburn* 5:19
B2 Shades Of Blue
Written-By – C. Gigstad*, F. Capek*, G. Rodriguez*, L. Washburn*, M. Justin*, M. Tetza* 3:58
B3 Freaky Strangeness
Written-By – D. Washburn*, L. Washburn* 5:36
B4 What's Love
Written-By – Lalomie Washburn 4:06


Compañías, etc.

Phonographic Copyright (p) – Parachute Records, Inc.
Copyright (c) – Parachute Records, Inc.
Designed At – Gribbitt!
Recorded At – One Step Up Recording Studio
Recorded At – Filmways/Heider Recording
Mastered At – Filmways/Heider Recording
Pressed By – Columbia Records Pressing Plant, Pitman
Manufactured By – Casablanca Record And Filmworks, Inc.
Distributed By – Casablanca Record And Filmworks, Inc.
Published By – Skydiver Music

Créditos

Art Direction – Phyllis Chotin
Backing Vocals – Julia*, Luther*, Maxine*, Oren*, "Waters"*
Bass – Henry Davis
Brass – George Bohannon*, Ollie Mitchell, Oscar Brashard*
Conductor, Arranged By – Gene Page
Drums – Ed Green*, Raymond Pounds
Engineer – Sye Mitchell
Engineer [Assistant] – Bob Stringer, Ira Leslie, Mark Curry (3)
Guitar – Lee Ritenour, "Wah Wah" Watson*, Michael Sembello
Keyboards – Greg Philingane*, Joe Sample, Sonny Burke (2)
Lead Vocals – Lalomie Washburn
Mastered By – Phil Cross
Percussion – Jack Ashford, Paulinho Da Costa
Photography By – Gary Heery
Producer – Sye Mitchell
Reeds – Plas Johnson, Terri Harrington*, Bill Green*

Notas
Columbia Records Pressing Plant, Pitman pressing denoted by "P" etch in runouts.

"Waters" appear Courtesy of Warner Brothers Records

Recorded at
- One Step Up, Los Angeles, California
- Filmways Heider, Los Angeles, California

Mastered at Filmways Heider, Los Angeles, California

Manufactured and distributed by Casblanca Records and Filmworks, Inc.


Lalomie Washburn ‎– My Music Is Hot
Sello:
Robinsongs ‎– ROBIN34CD
Formato:
CD, Album, Reissue

País:
UK
Publicado:
20 Jul 2018
Género:
Funk / Soul
Estilo:
Disco, Funk, Soul


Lista de Títulos

1 Give Me Love With The Music
2 Double Funkin'
3 My Love Is Hot (Caliente)
4 Man Power (Can You Do It)
5 Shade Of Blue
6 Freaky Strangeness
7 What's Love
Bonus Tracks
8 My Love Is Hot (Caliente Un Amour) (7" Version 1)
9 Man Power (Can You Do It) (Extended 12" Version)
10 Two Sides (Stereo)
11 Double Funkin' (7" Version)
12 Give Me Love With The Music (7" Version)
13 My Love Is Hot (Caliente Un Amour) (7" Version 2)
14 Man Power (Can You Do It) (Rough Mix)
15 Two Sides (Mono)


Compañías, etc.

Record Company – Cherry Red Records Ltd.
Licensed From – Universal Music Group Ltd.
Phonographic Copyright (p) – UMG Recordings, Inc.
Copyright (c) – Robinsongs

Créditos

Compiled By – Charles Donovan
Concept By – Charles Donovan
Design – Keith Davey
Liner Notes – Charles Donovan
Product Manager – Oli Hemingway