Raivo Tammik Instrumental Ensemble ( 1972 ) .One of my favorite records.Modal Jazz.Helmut Aniko, Lembit Saarsalu, Raivo Järma,Taivo Sillar, Tiit Paulus...

Raivo Tammik Instrumental Ensemble* ‎– Raivo Tammik Instrumental Ensemble ( 1972 )

https://www.discogs.com/es/Raivo-Tammik-Instrumental-Ensemble-Raivo-Tammik-Instrumental-Ensemble/release/9298267




Bass – Taivo Sillar
Drums – Raivo Järma
Flute – Helmut Aniko
Guitar – Tiit Paulus
Liner Notes – Martin Jõela
Mastered By, Lacquer Cut By – Jukka Sarapää
Photography By – Oskar Juhani
Piano – Raivo Tammik
Recorded By, Engineer – Enn Tomson
Saxophone – Helmut Aniko, Lembit Saarsalu

Notas


Kahekesi Õhtul recorded 17.9.1972

Kallis Mari recorded 1.11.1972

Ratastel recorded 11.10.1972

Karjase Kaebus recorded 20.9.1972

CANE & ABLE.ONE OF THE BEST PSYCHEDELIC FUNK ALBUMS AND ONE TERRIFIC ALBUM.AMERICANS IN EUROPE.GEORGE ALFORD ( GEORGE "APACHE SLIM" ALFORD ),MARIA POPKIEWICZ,CHER KIMBROW...

Cane And Able ‎– Relating A Message To You ( 1972 )

 

 

One of the best albums

Full two albums:

https://www.youtube.com/playlist?list=PLh0ysVWgxTixSUXM7tusoXBLX8opxZeP_

https://www.discogs.com/Cane-And-Able-Relating-A-Message-To-You/release/580154








Bass – Worthington Brown
Congas, Timbales, Percussion – Blinky Bostic
Drums – George Carter
Flute, Saxophone [Tenor, Alto, Baritone] – Billy Ellis
Guitar – Garland Edwards
Lead Vocals – French Thompson
Piano, Piano [Electric], Organ – Alan Reeves (tracks: A5, B1 to B4)
Trombone – Norris Ridguard
Trumpet – George Alford, Norris Ridguard
Vocals – Billy Ellis, Cher Kimbrow (tracks: A1 to A3), Dotty Shipman (tracks: A1 to A3), George Alford,Maria Popriewickz* (tracks: A1 to A3), Mauricia Platon (tracks: A1 to A3), Norris Ridguard, Worthington Brown

Notas


Reissue - originally released in 1973.


George "Apache Slim" Alford music in the albums : Mario Pavone - Shodo ‎,Creative Improvisors Orchestra - The Sky Cries The Blues,Talking Drums (3) - Talking Drums

Cher Kimbrow play in Bad Child ‎– First Fight ( I wanted the album.With members of Lafayette Afro-Rock Band )

Cane And Able ‎– Cane And Able ( 1972 )

https://www.discogs.com/es/Cane-And-Able-Cane-And-Able/release/2842490

Bass – Worthington "Doc" Brown*
Congas, Timbales – "Blinky" Bostic*
Drums – "Pee Wee" Carter*
Engineer – Roland Guillotel
Engineer [Assistant] – Jean Luc Pourquier*
Featuring [Little Help], Trombone, A&R [Coordination] – Tony Lytle
Featuring [Little Help], Trumpet – Hasan Tayratira
Guitar – Garland Edwards
Lead Vocals, Arranged By – French Thompson
Management – Clint Phillips (2)
Photography By – Henri Tullio
Producer – Claude Delcloo
Tenor Saxophone, Alto Saxophone – Billy Ellis
Trumpet, Trombone, Vocals – Norris Ridguard
Trumpet, Vocals – George Alford

Philip Cohran and The Artistic Heritage Ensemble .Spiritual jazz masterpieces. R.I.P.

Kelan Phil Cohran* And Legacy (25) ‎– African Skies ( 1993 )

• https://www.discogs.com/es/Kelan-Phil-Cohran-And-Legacy-African-Skies/release/2602285
• 
  
• Bass Clarinet, Flute, Guitar, Vocals – Aquilla Sadalla
• Congas, Flute, Guitar, Harp, Kalimba [Frankiphone], Ukulele [Violin Uke], Trumpet – Kelan Phil Cohran*
• Double Bass [Piccolo String Bass], Double Bass [String Bass], Flute – Oscar Brown III*
• Double Bass [String Bass], Flute, Guitar – Malik Cohran
• Flute, Harp [Classical], Trombone – Josefe Marie Verna

Notas

African Skies was recorded in 1993 for the Adler Planetarium in Chicago, Illinois. 

Oscar Brown III* music with Sun Ra And His Arkestra* - The Other Side Of The Sun

Phil Cohran And The Artistic Heritage Ensemble* ‎– The Spanish Suite (Martina, Delores & Marguirite) ( 1968 (

• https://www.discogs.com/es/Phil-Cohran-And-The-Artistic-Heritage-Ensemble-The-Spanish-Suite-Martina-Delores-Marguirite/release/3496742
• 
  
• Alto Saxophone – Charles James Williams
• Baritone Saxophone – Donald Myrick*
• Bass – Louis Satterfield
• Composed By, Arranged By, Cornet – Philip Cohran*
• Congas – Master Henry Gibson*
• Drums [Trap] – Bob Crowder Jr.*
• Guitar – Pete Cosey
• Mastered By – W III*
• Musette [Chinese], Trumpet – Charles Handy
• Tenor Saxophone – Eugene Easton*
• Trombone – Willie Woods
• Tuba – Aaron Dodd

Notas

Subtitled '(Martina,Delores, & Marguirite)'.

This particular performance was at the Afro Arts Theatre at 3900 S. Drexel in February of 1968. 

Philip Cohran And The Artistic Heritage Ensemble* ‎– On The Beach ( reisue aka same ) ( 1967 )

wonderful album

https://www.discogs.com/es/Philip-Cohran-And-The-Artistic-Heritage-Ensemble-Philip-Cohran-And-The-Artistic-Heritage-Ensemble/release/2887849

• Alto Saxophone – Charles James Williams
• Baritone Saxophone, Tenor Saxophone – Donald Myrick*
• Bass, Trombone – Louis Satterfield
• Compiled By – Jamie M. Hodge*
• Congas, Timbales – Master Henry Gibson*
• Cornet, Kalimba [Frankiphone], Performer [Violin Uke] – Philip Cohran*
• Drums [Trap Drums] – Bob Crowder, Jr.*
• Flute, Oboe, Tenor Saxophone – Eugene O. Easton*
• Guitar – Pete Cosey
• Mastered By – Bob Katz, Roger Seibel
• Oboe [Chinese Musette], Trumpet – Charles Handy
• Other [Electrical] – Clarence Bridges
• Trombone – Steven Galloway*
• Tuba – Aaron Dodd
• Vocals – Mrs. Ella Pearl Jackson*, Patricia Ann Smith

Fontella Bass ‎– The 'New' Look ( 1965 ). Fontella Bass ‎– Rescued - The Best Of Fontella Bass ( singles ).Two wonderful records. Soul with jazzmen.info musics in the album: Charles Stepney, FONTELLA BASS, Gene Barge, Julian Priester, LESTER BOWIE, Louis Satterfield, Maurice White, Oliver Sain, Paul Serrano, Pete Cosey, Phillip Westmoreland ...

Fontella Bass ‎– The 'New' Look

A1	Our Day Will Come
A2	How Glad I Am
A3	Oh No, Not My Baby
A4	Rescue Me
A5	Gee Whiz
A6	I'm A Woman
B1	Since I Fell For You
B2	Impossible
B3	You've Lost That Lovin' Feelin'
B4	Soul Of The Man
B5	Come And Get These Memories
B6	I Know

not one-hit wonder ( Rescue Me )

Wonderful album,info musics in the album:
Arranged By [Arrangements] – Phil Wright, http://jazzdiscography.com/Artists/Green/index.phpBunky Green Discography Date: November 1965Location: Ter Mar Recording Studios, Chicago, ILLabel: ChessFontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con) a. 14329 I Know - 3:08 (Barbara George) b. 14330 I'm A Woman - 2:29 (Jerry Lieber, Mike Stoller) c. 14331 Gee Whiz - 2:28 (Carla Thomas) d. 14332 Our Day Will Come - 3:45 (Bob Hilliard, Mort Garson) All titles on: Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984) ________________________________________Date: November 1965Location: Ter Mar Recording Studios, Chicago, ILLabel: ChessFontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con) a. 14341 Come And Get These Memories - 2:18 (Brian Holland, Lamont Dozier, Edward Holland, Jr.) b. 14342 Since I Fell For You - 3:24 (Buddy Johnson) c. 14343 How Glad I Am - 2:41 (Larry Harrison, Jimmy Williams) d. 14344 You've Lost That Loving Feeling - 3:24 (Barry Mann, Cynthia Weil, Phil Spector) e. 14345 Oh No, Not My Baby - 2:39 (Carole King, Gerry Goffin) f. 14346 Impossible - 2:49 (B. F. Flip, Ollie Jones) All titles on: Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984)

Fontella Bass ‎– Rescued - The Best Of Fontella Bass

1

–Fontella Bass

Rescue Me


Arranged By – Phil WrightBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyOrgan – Sonny ThompsonProducer – Billy Davis (2)Tenor Saxophone – Gene BargeWritten-By – Carl Smith (2)Written-By, Piano – Raynard Miner

2:54


2

–Fontella Bass

You'll Never Know


Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain

3:06


3

–Fontella Bass Duet With Bobby McClure

Don't You Mess Up A Good Thing


Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrumpet – Arthur Hall, Paul SerranoTrumpet [Possibly] – David Hines (2)Vocals – Bobby McClureWritten-By, Tenor Saxophone – Oliver Sain

2:53


4

–Fontella Bass

The Soul Of A Man (A/K/A Soul Of The Man)


Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Arranged By, Piano – Oliver Sain

3:33


5

–Fontella Bass

Sweet Lovin' Daddy


Backing Vocals – The DellsProducer – Carl DavisWritten-By – John D. Jones, Jr.*

2:04


6

–Fontella Bass

Recovery


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Arthur Hoyle, Lester Bowie, Paul SerranoWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)

2:29


7

–Fontella Bass

Since I Fell For You


Alto Saxophone – Bunky GreenArranged By – Phil WrightBaritone Saxophone – Rubin CarterBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyKeyboards – Charles StepneyOrgan – Sonny ThompsonPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – John Board*Trombone – John AvantTrumpet – Lester Bowie, Oscar BrashearWritten-By – Woodrow Johnson*

3:26


8

–Fontella Bass Duet With Bobby McClure

You're Gonna Miss Me


Alto Saxophone – Bunky GreenArranged By – Phil WrightBaritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Trombone – John AvantTrumpet – Burgess Gardner, Willie StricklandVocals – Bobby McClureWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)

2:38


9

–Fontella Bass

I Surrender


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Lester Bowie, Paul SerranoWritten-By – Shena DeMell, Sugar Pie DeSantoWritten-By, Producer – Billy Davis (2)

2:58


10

–Fontella Bass

Free At Last


Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*Bass – Louis SatterfieldDrums – Jerry Walker (2)Guitar – Phillip WestmorelandWritten-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain

2:33


11

–Fontella Bass Duet With Bobby McClure

Baby What You Want Me To Do


Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene Barge, Oliver SainTrumpet – Arthur Hall, Cleo Griffin, Paul SerranoTrumpet [Possibly] – David Hines (2)Vocals – Bobby McClureWritten-By – Jimmy Reed

3:12


12

–Fontella Bass

Joy Of Love

3:16


13

–Fontella Bass

I Can't Rest


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Lester Bowie, Paul SerranoWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)

2:54


14

–Fontella Bass

Oh, No, Not My Baby


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CarterBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyKeyboards – Charles StepneyOrgan – Sonny ThompsonPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – John Board*Trombone – John AvantTrumpet – Lester Bowie, Oscar BrashearWritten-By – Gerry Goffin-Carole King*

2:42


15

–Fontella Bass Duet With Bobby McClure

Don't Jump


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Pete CoseyPiano – Leonard Caston (2)Trombone – John AvantTrumpet – Burgess Gardner, Willie StricklandVocals – Bobby McClureWritten-By – Carl Smith (2), Raynard MinerWritten-By, Producer – Billy Davis (2)

3:01


16

–Fontella Bass

Leave It In The Hands Of Love


Alto Saxophone – Bunky GreenArranged By – Phil Wright (2)Baritone Saxophone – Rubin CooperBass – Louis SatterfieldDrums – Maurice WhiteGuitar – Bryce Roberson, Pete CoseyPiano – Leonard Caston (2)Producer – Billy Davis (2)Tenor Saxophone – Gene BargeTrombone – John Avant, Julian PriesterTrumpet – Arthur Hoyle, Lester Bowie, Paul SerranoWritten-By – Shena DeMell, Sugar Pie DeSanto

3:02

Compañías, etc.


Copyright (c) – MCA Records, Inc.
Phonographic Copyright (p) – MCA Records, Inc.
Distributed By – BMG
Créditos


Compiled By, Coordinator – Andy McKaie
Liner Notes – David Nathan (2)
Vocals – Fontella Bass
Notas



Track 1 taken from Rescue Me / Soul Of The Man (Checker single 1120).

Track 2 taken from Safe And Sound (Checker single 1147).

Track 3 taken from Don't Mess Up A Good Thing (Checker single 1097.)

Track 4 taken from Rescue Me / Soul Of The Man (Checker single 1120).

Track 5 taken from Lucky In Love / Sweet Lovin' Daddy (Checker single 1183).

Track 6 taken from Recovery (Checker single 1131).

Track 7 taken from The 'New' Look (Checker LP 2997).

Track 8 taken from Don't Jump / You'll Miss Me (Checker single 1111).

Track 9 taken from I Can't Rest / I Surrender (Checker single 1137).

Track 10 is previously unreleased in the US.

Track 11 taken from Don't Mess Up A Good Thing (Checker single 1097).

Track 12 is previously unreleased. Writer/publisher/personnel unknown.

Track 13 taken from I Can't Rest / I Surrender (Checker single 1137).

Track 14 taken from The 'New' Look (Checker LP 2997).

Track 15 taken from Don't Jump / You'll Miss Me (Checker single 1111).

Track 16 taken from Recovery (Checker single 1131).








http://www.independent.co.uk/arts-entertainment/obituary-lester-bowie-1125271.html


Born in Maryland in 1941, Bowie grew up in St Louis at a time when musicians were still coming up from New Orleans. He played first in local rhythm- and-blues bands led by Little Milton and Albert King, both soon to become famous. He also worked with some of the young musicians in the city who, like him, were destined for fame. They included the saxophonists Roscoe Mitchell and Joseph Jarman and the drummer Jack DeJohnette. Bowie moved to Chicago in 1965, where he met Fontella Bass and became her musical director.


The same year, the pianist Muhal Richard Abrams formed the AACM as a jazz workshop and Bowie joined him. Their first recordings in 1967 show a group of unknown but very advanced musicians in completely spontaneous but expert and intoxicating improvisations. From this point on Bowie and his friends were no strangers to odd instrumentation. He played trumpet and flugelhorn but also anything exotic that seized his fancy, like bass drum or the mysterious cowhorn. Logs, bells, sirens, gongs, whistles and a zither also found their way into the armoury.


The band, finding no outlet at home, moved to France in 1968 and the following year recorded the LP A Jackson in Your House. Typically, the piece begins with a dignified and pompous overture which is punctured by the laughter of the band before it rocks into a Dixieland ensemble complete with clarinet and then into an approximation of the swing style. Although the music is unusually and intentionally funny, the direct social criticism of A Message to Our Folks done a couple of months later is much more serious. The two albums perhaps typified Bowie's weakness for slapstick and the way it occasionally diluted his more serious messages.


In 1969 ACM was founded with a completely new vision of jazz. On stage, the band imitated the street bands of South America, recited poetry and used a variety of unlikely sound effects as they played both avant-garde and more conventional jazz.
http://bluesway.gr/ow_userfiles/plugins/forum/attachment_29_55fb9b17ebd99_55fb9aefeb230_Encyclopedia-of-the-Blues-2006.pdf

Soul singer who achieved national fame recording for
Chicago’s Chess Records during the 1960s. She was
the daughter of notable gospel singer Martha Bass (a
member of the Clara Ward Singers and a soloist of
some note). In 1961, Fontella was discovered by St.
Louis bandleader Oliver Sain, who brought her into
his organization to play piano. Little Milton was the
band’s initial vocalist, and Bass participated on several
sides that Milton recorded for the local Bobbin label.
She subsequently recorded four sides under her own
name for Bobbin. In 1963, after Little Milton left the
Sain band, Bass and singer Bernard Mosley became
the featured vocalists. Mosley was soon replaced by
Bobby McClure. The following year Chess Records
signed Bass and McClure to record for its Checker
subsidiary in Chicago. They debuted as a duet act,
coming out with two hits, ‘‘Don’t Mess Up a Good
Thing’’ and ‘‘You’ll Miss Me (When I’m Gone)’’ in
1965. Bass launched her solo career in 1965 with a huge
hit, ‘‘Rescue Me.’’ The flip featured an outstanding
gospel-blues ballad, ‘‘The Soul of a Man.’’ Bass’s
career at Chess was gradually dissipated by a series
of undistinguished but three commercially successful
follow-ups, ‘‘Recovery,’’ ‘‘I Surrender,’’ and ‘‘Safe and
Sound.’’
Bass left Chess in 1967, and recorded for Jerry
Butler’s Fountain Productions, then moved to Stan
Lewis’s Paula label, recording under the production
aegis of her old bandleader, Oliver Sain, and then for
Epic. Bass never had another hit record. Occasionally
she appeared as a vocalist on jazz albums recorded by
her husband, Lester Bowie, trumpeter in the famed
Art Ensemble of Chicago.
Rhythm And Blues Encyclopedia

Pege Trio - Aladár Pege / Béla Lakatos* / Géza Lakatos & Mihály Ráduly / János Németh / Szabóky Márta ‎– Montreux Inventions ( 1970 ).Wonderful Hungary jazz.

Pege Trio - Aladár Pege / Béla Lakatos* / Géza Lakatos &Mihály Ráduly / János Németh / Szabóky Márta ‎– Montreux Inventions ( 1970 )

Personnel:
Bass – Aladár Pege (tracks: A1 to A4, B2, B3)
Bass Guitar – Aladár Pege (tracks: B2, B1, B4, B5)
Cello – Aladár Pege (tracks: A1 to A4)
Drums – Géza Lakatos (tracks: A1, A2, A4 to B5)
Flute – Mihály Ráduly (tracks: B5)
Organ – Béla Lakatos (tracks: B4, B5)
Piano – Béla Lakatos (tracks: A1, A2, A4 to B3), Szabóky Márta (tracks: A3)
Tenor Saxophone – János Németh (tracks: A4, B4, B5), Mihály Ráduly (tracks: A2, B1)

Tracklist:
A1. Falling Leaves
A2. Impressions
A3. Scherzo
A4. Róna Blues
B1. Montreux Inventions
B2. Moon River
B3. I Could Have Dance All Night (My Fair Lady)
B4. Peter
B5. Baby Car

Infinite Spirit Music ‎– Live Without Fear ( 1979 ). Kahil El'Zabar,Aye Aton ( aka Robert Underwood ), 'Light' Henry Huff,Mchaka Uba,other favorite album.Spiritual jazz, Incredible groove

Infinite Spirit Music ‎– Live Without Fear ( 1979 )

1 

	Children's Song	3:37
2	Ritual	4:24
3	Bright Tune	13:20
4	Father Spirit, Mother Love	5:09
5	Rasta	13:47
6	Soul Flower	0:54
7	Live Without Fear	10:46

Compañías, etc.

• Recorded At – Soto Sound Studio

Créditos

• Bass – Mchaka Uba
• Congas – Ibo
• Congas, Vocals – Kahil El'Zabar
• Percussion – Aye Aton
• Piano – Soji Adebayo
• Saxophone – 'Light' Henry Huff
• Vocals – Ka T' Etta Aton

Notas

Music by Huff-Adebayo
Ancient Afrika Music/BMI
Thanks to Ramu, Enoch, Sura Rameses, Ben Montgomery and a lot of other good people.
May the Creator Bless Clifford Davis
Recorded May 31 1979
Soto Studios, Evanston Il. 

Aye Aton ( aka Robert Underwood ) Drummer and percussionist with the Sun
Ra Arkestra from 1972 to 1976.

Kahil El'Zabar ( Ethnic Heritage Ensemble,David Murray, Leo Smith,Archie
Shepp,Bright Moments...)

WORLD'S EXPERIENCE ORCHESTRA . WONDERFUL SPIRITUAL JAZZ.EARL GRANT LAWRENCE, JOHN JAMYLL JONES, LARRY ROLAND, MICHAEL COSMIC, PHILLIP MUSRA,ROBERT RUFF,LEE ANDREW DAVISON.The essence of Underground, Spiritual Jazz, figuratively and literally: their first album was recorded in a Boston, Mass. church’s basement. Both World’s Experience Orchestras albums were recorded in and around Boston, Massachusetts in the mid to late 1970s and committed to vinyl in miniscule press runs by a visionary, bassist/composer/arranger John Jamyll Jones. Jones is a magical type, who communicates with his instrument, his ensembles, and jazz’s ancient lineage in a manner so profound that his late-‘70s album are out of time with jazz’s trajectory, but timeless when presented today. By the late ’90s the music of World’s Experience Orchestra was circulating throughout the collections of esoteric jazz fans, the likes of Gerald “Jazzman” Short and Gilles Peterson, who played “The Prayer” for those, the Coltrane-enthralled searching for something new, something different. Something spiritual and honest. Peterson first offered to reissue “The Prayer,” as part of an anthology he was putting together with Los Angeles reissue label Ubiquity Records and that, to date, is the only official issue of any of Jones’ music. This set is the definitive catalog of Jones’ ensembles’ released work. “I knew it was going to happen, but I didn’t know when,” says Jones of the road to seeing his music re-issued. “It’s 35 years or more now, and I’ve been waiting for this, and I’m quite sure I’m not the only one.”

World's Experience Orchestra–The Beginning Of A New Birth (1975)

Wonderful spiritual and free jazz album

the track The Beginning Of A New Birth not have in youtube put yes in internet




A

The Beginning Of A New Birth





B

The Prayer





Compañías, etc.

Recorded At – Oasis, Boston, Mass.
Printed By – Lester Benn Press, Boston, Mass.

Créditos

Alto Clarinet – Daoud Hasaan*
Alto Flute – Khalid Faruq*
Alto Saxophone – Michael Cosmic
Bass – Robert Ruff
Composed By, Arranged By, Directed By, Producer – John Jamyll Jones
Congas, Photography By, Design [Cover] – Larry Roland
Design [Cover] – Jamyll Jones*
Drums – Chauncy Hutcherson, Tony Cerra
Engineer [Recording], Liner Notes – Sidney W. Burton, Jr.*
Flute – Earl Grant-Lawrence*
Liner Notes – Jamyll*
Piano – Shaddu Jones
Soprano Saxophone – Phillip Musra*
Tenor Saxophone – Haquib Ishma'il Hasaan
Vocals – Doug Morgan (3), Gloria Hutcherson, Imani Grant-Lawrence, Lee Andrew Davison, Lola Roland, Martin Yaseen, Sis. Vernell Jordan*

Notas


Recorded: At the Oasis, Boston, Mass. August 3, 1975





World's Experience Orchestra ‎– The Beginning Of A New Birth & As Time Flows On
Sello:
Now-Again Records ‎– NA 5128-LP, Now-Again Records ‎– NA 5128
Serie:
Now-Again Reserve –
Formato:
Vinyl, LP, Album
Vinyl, LP, Album
All Media, Compilation, Limited Edition, Numbered, Reissue, Remastered

País:
US
Publicado:
18 Jul 2016
Género:
Jazz
Estilo:
Soul-Jazz


Lista de Títulos

The Beginning Of A New Birth
A The Beginning Of A New Birth
B The Prayer
As Time Flows On
C1 Intro
C2 Rain
C3 Nine Degrees And Cold
D1 Black Woman
D2 To Do Nothing
D3 The Mind


Compañías, etc.

Phonographic Copyright (p) – Now-Again Records
Copyright (c) – Now-Again Records
Distributed By – Traffic Entertainment Group
Remastered At – Elysian Masters
Lacquer Cut At – Electric Mastering
Pressed By – Quality Record Pressings

Créditos

Alto Clarinet – Daoud Hasaan* (tracks: A, B)
Alto Flute – Khalid Faruq* (tracks: A, B)
Alto Saxophone – Michael Cosmic (tracks: A, B)
Art Direction – Errol F. Richardson
Bass – Jamyll Jones* (tracks: C1 to D3), Robert Ruff
Congas – Larry Roland
Cover [Original Covers Designed By] – Atelier 2000, John Jamyll Jones
Drums – Chauncy Hutcherson, Tony Cerra (tracks: A, B)
Flute – Earl Grant-Lawrence*
Lacquer Cut By – Chris Potter
Photography – Larry Roland
Piano – Shaddu Jones
Producer [Original Sessions Produced By] – John Jamyll Jones, Seymour-Moore
Recorded By – Sidney W. Burton Jr.
Reissue Producer – Eothen Alapatt
Remastered By [Restored And Remastered By] – Dave Cooley
Soprano Saxophone [Sophrano Saxophone] – Phillip Musra* (tracks: A, B)
Tenor Saxophone – Raquib Ishma'il Hassan* (tracks: A, B)
Transferred By – Steve Emmerman
Vocals [Vocalist] – Doug Morgan (3) (tracks: A, B), Gloria Hutcherson (tracks: A, B), Imani Grant-Lawrence (tracks: A, B), Lee Andrew Davison (tracks: A, B), Lola Roland (tracks: A, B), Martin Yaseen (tracks: A, B), Vernell Jordan (tracks: A, B)
Vocals, Percussion – Roy Hall (6) (tracks: C1 to D3)
Voice [Poet], Percussion – Larry Roland (tracks: C1 to D3)
Written-By – John Jamyll Jones, Larry Roland (tracks: C3, D2), World's Experience Orchestra (tracks: C3, D2)

Notas
The Beginning Of A New Birth originally issued as J-World-BSE1
Recorded August 3rd, 1975 at the Oasis, Boston, Mass.
As Time Flows On originally issued as J-Worlds'-BSE-2
Recorded February 3nd 1977 in Boston, Mass.

Edition of 1000
Packaged in a hand-made, extra-thick “tip on” gatefold jacket, with obi strip and resealable polybag.
Includes download card for WAV files of the album, a booklet with extensive liner notes detailing the history of the album.

Printed In China

Record 2 is credited to Worlds' on the label

Side C has the tracklisting incorrect:
C1 - Rain
C2 - Nine Degrees And Cold
C3 - Intro

 

Worlds' - As Time Flows On ( 1977, presed 1980 )


Spiritual jazz and free jazz masterpiece







http://www.holywax-records.com/shop/spiritual-free-jazz/3/

This rare album was recorded live in Boston, 1977 and privatly pressed in 1980 by the band. Original US press.
Magnificent performance by World's aka the World's Experience Orchestra, this opus is very different compared to their first lp, more intimate and soulful, less free, less hipnotic, Worlds' is now a sextet featuring the leader and composers, Jamyll Jones, Larry Rolland, Poet and congas, percussions, Earl Grant-Lawrence on flute, Roy Hall on vocals and percussions, Shaddy Jones on electric piano and Chauncy Hutcherson on drums.







http://trafficent.com/wp-content/uploads/2016/08/NA-5128-WORLDS-EXPERIENCE-ORCHESTRA-TBOANBATFO-CD-LP.pdf




The essence of Underground, Spiritual Jazz, figuratively and literally: their first album was recorded in a Boston, Mass. church’s basement. Both World’s Experience Orchestras albums were recorded in and around Boston, Massachusetts in the mid to late 1970s and committed to vinyl in miniscule press runs by a visionary, bassist/composer/arranger John Jamyll Jones. Jones is a magical type, who communicates with his instrument, his ensembles, and jazz’s ancient lineage in a manner so profound that his late-‘70s album are out of time with jazz’s trajectory, but timeless when presented today. By the late ’90s the music of World’s Experience Orchestra was circulating throughout the collections of esoteric jazz fans, the likes of Gerald “Jazzman” Short and Gilles Peterson, who played “The Prayer” for those, the Coltrane-enthralled searching for something new, something different. Something spiritual and honest. Peterson first offered to reissue “The Prayer,” as part of an anthology he was putting together with Los Angeles reissue label Ubiquity Records and that, to date, is the only official issue of any of Jones’ music. This set is the definitive catalog of Jones’ ensembles’ released work. “I knew it was going to happen, but I didn’t know when,” says Jones of the road to seeing his music re-issued. “It’s 35 years or more now, and I’ve been waiting for this, and I’m quite sure I’m not the only one.”




https://www.discogs.com/es/Worlds-Experience-Orchestra-The-Beginning-Of-A-New-Birth-As-Time-Flows-On/master/1049296



https://www.rappcats.com/worlds-experience-orchestra/

World’s Experience Orchestra

Now-Again — February 25, 2016 | Comments (6)

Now-Again is reissuing the 1975 and 1980 albums by World’s Experience Orchestra this summer as one specially packaged 2/LP set, the second release in Now-Again Reserve, a deluxe vinyl subscription

Photos: bassist John Jones, drummer Chauncy Hutcherson

http://www.leeandrewdavison.com/index.php?lmut=en&part=bio

Jazz singer Lee Andrew Davison (1950) comes from the state of Oklahoma in the USA. He grew up with Protestant chants, spirituals, and gospels. The son of a farmer, he attended a racially segregated primary school. After he finished his university studies in Alabama, he settled in Boston. Drawing on the musical tradition of his family and his experience conducting the university choir, he founded a professional male gospel quartet. He later became the conductor of the Harvard University Gospel Choir.

 

After moving to Prague in 1991, he started working with leading Czech jazz musicians. In 1996, with RADIM LINHART, JAROSLAV ŠINDLER and VÍT FIALA, he debuted an original program of spirituals and gospels. Since then, the group has performed regularly in the Czech Republic and Germany (e.g. Czech Republic: Prague City of Culture 2000 Celebration - Prague, St. Wenceslas Musical Festival Prague 2001, Easter Festival of Sacred Music - Brno, Music Without Borders Festival in Valtice, Cultural Days Festival - Ústí nad Orlicí, Znojmo Music Festival 2010, Germany: Musical Festival - Osterode, Jazz in the Castle Festival Burgthann).

 

Lee Andrew Davison has performed in musicals also (role of Shaman in the Czech version of the musical HAIR). Recently Lee Andrew Davison returned from a successful engagement aboard the French passenger ship, the M/S MISTRAL.