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miércoles, 13 de febrero de 2019

Janis Joplin ‎– Pearl ( 1971 ).One of the top of the top blues rock and soul albums.Include Massive collection of photos.Bobby Womack, BOBBYE HALL, Brad Campbell, Clark Pierson, JANIS JOPLIN, John Till, Richard Bell, Sandra Crouch.

http://malpasoed.com/wp-content/uploads/2018/05/Janis-Joplin-Mercedes-Benz.pdf

 
interesting text, translate with program, is in Spanish

 

Estaba destinada a convertirse en una de las 2 o 3 reinas de la musica soul ( aun no reconocida en los libros del soul,despreciada entre los que escriben libros del blues...),reconocida justamente entre los amantes del rock y blues rock.

 

 

Janis Joplin ‎– Pearl

Label:

CBS ‎– S 64188, CBS ‎– 64188

Format:

Vinyl, LP, Album

Country:


Released:


Genre:


Style:


Tracklist Hide Credits

A1 Move Over
Written-By – J. Joplin*
3:40
A2 Cry Baby
Written-By – B. Berns*, J. Ragovoy*
3:55
A3 A Woman Left Lonely
Written-By – D. Penn*, S. Oldham*
3:26
A4 Half Moon
Written-By – J. Hall*
3:50
A5 Buried Alive In The Blues
Written-By – N. Gravenites*
2:23
B1 My Baby
Written-By – J. Ragovoy*, M. Shuman*
3:43
B2 Me & Bobby McGee
Written-By – F. Foster*, K. Kristofferson*
4:28
B3 Mercedes Benz
Written-By – J. Joplin*, M. McClure*
1:45
B4 Trust Me
Written-By – B. Womack*
3:14
B5 Get It While You Can
Written-By – J. Ragovoy*, M. Shuman*
3:22

Companies, etc.


Credits



Notes


A1, A5, B3: Big Ben Music Ltd. | A2: Robert Mellin Ltd. | A3: Burlington Music Ltd.
A4, B1, B5: Carlin Music Corp. | B2: Combine Music Ltd. | B4: United Artists Music Ltd.

Photography & Design for Camouflage Productions

℗1971
Made in England

CBS is a trademark of the Columbia Broadcasting System, Inc., U.S.A.
Shorepak by Shorewood Packaging Co. Ltd., England
______________

Orange center labels, 'The Inner Sleeve' company inner sleeve.
Artist appears as 'janis joplin/full tilt boogie' on the sleeve rear, as 'Janis Joplin' on the spine and the labels.
Catalogue number appears as 'S 64188' on the center labels, as '64188' on the sleeve.
Credits in tracklisting as appearing on the center labels.

Can also be played on mono equipment.

Differs from Janis Joplin - Pearl by crediting 'J. Ragovoy/B. Berns' for track A2 on the center label while Pearl credits 'Russel/Meade'. 

 https://www.vintag.es/2018/09/janis-joplin-in-copacabana.html

 https://www.vintag.es/2018/09/janis-joplin-pearl-album-cover-photoshoot.html




Candid Behind the Scenes Photos of Janis Joplin During the Photoshoot for Pearl's Album Cover in California, 1970


Janis Joplin wasn’t around when her second solo album, Pearl, was issued in January 1971. She wasn’t around a few weeks later when it shot to No. 1, either. The singer had died of a heroin overdose on Oct. 4, 1970, while recording the sessions that would make up Pearl.


That unfortunate turn of events illuminates the album’s legacy, which stands as her most defining work. Cheap Thrills, the second LP she made with Big Brother and the Holding Company, made her a star, but Pearl is all Joplin, from the striking cover photo of the singer dressed like an 1880s saloon worker and grasping a drink to the handpicked songs, which included tailor-made Kris Kristofferson and Bobby Womack covers to a couple of originals.

The album cover, photographed by Barry Feinstein in Hollywood, Los Angeles in 1970.












MANY OTHER PHOTOS IN THE FABULOUS SITE:


https://www.vintag.es/2018/04/janis-joplin-jimi-hendrix-1968.html



Just Hanging Out With Janis Joplin and Jimi Hendrix, 1968


Both Jimi Hendrix and Janis Joplin became famous after appearing at the Monterey Pop Festival. It was an event that threw them into the national spotlight. They became friends and hung out backstage whenever they played the same gig. The rumors that they were lovers are false!









https://www.vintag.es/2018/09/janis-joplin-at-chelsea-hotel-1970.html




Rare and Candid Photographs of Janis Joplin at the Chelsea Hotel in New York City, June 1970


Photographer whose work vividly expressed the essence of creative personalities ranging from Janis Joplin to Arthur Miller. Like that of many photographers, David Gahr’s work was better known than his name. He was among the first photographers to specialize in taking pictures of popular musicians and, more specifically, to think them worthy of being photographed.


As a consequence, he caught the likes of Janis Joplin, Joni Mitchell and Bruce Springsteen disarmed, and his shots of them for album covers and magazines helped to propel them to fame and, for millions of record buyers, defined their heroes’ images.
“Janis Joplin would like you or hate you on sight or insight. And was rarely wrong. She shrieked when I told her my assignment was for Time Magazine. ‘Damn, now my old man will know I’ve done something, I am someone! He always reads Time. Damn, damn. Good!’ We miss you, Joplin, wherever you are.”
In 1970 Gahr shot Janis Joplin for the cover of Rolling Stone, and also snapped the cover of her classic posthumous LP Pearl. These candid snapshots were taken by David Gahr at the Chelsea Hotel in June 1970, just four months before her death at the age of 27.

















(Photos by David Gahr)
https://www.vintag.es/2016/05/color-photographs-of-janis-joplin-in.html
 




34 Fascinating Color Photographs of Janis Joplin in the 1960s


In the Rock ‘n Roll firmament of the 1960s, Janis Joplin was a shooting star who burned white hot for five short years. She died of a heroin overdose at age 27. Joplin sang her own brand of the blues in an incendiary style. Yet in her short time — between 1966 and 1970 — she carved out a piece of music history that was distinctly her own. During these years, she traveled from the conservative community of Port Arthur, Texas to the expansive and unpredictable world that was the drug/hippie/music scene of 1960s San Francisco — and mostly in the glare of national stardom.

Joplin was born in Port Arthur, an oil refinery town, in 1943. As a teenager in the late 1950s, she had read about Jack Kerouac and the Beatniks, began to dress in her own style, and started listening to blues music with a few high school friends. Black blues singers Bessie Smith and Leadbelly were among her heroes.

An outcast in Port Arthur by the early 1960s, Joplin had made her way to California a time or two, and eventually came to San Francisco’s music and hippie scene. At the June 1967 Monterey Pop Festival she captured national attention with a stunning blues performance of “Ball and Chain.” From that point on, she became something of national phenomenon.

Here, below is a color photo collection of lovely Joplin in the 1960s.




































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